‘This Year’s Model’ by Elvis Costello

 Today we go over a classic album to say the least. Elvis Costello is one of rock’n’roll’s prodigal sons. The man was just meant to make music. Since 1977, when he released his first album, Costello has done everything from new wave to symphonies. With a distinct English voice and incredible song writing, Elvis has set himself up with a nice place in music history. 

 This album is the second from Costello and his first with his backing band, The Attractions. The first thing that really stands out about the album is the use of the Fender Rhodes Organ. Let me tell you how this probably went down. The band finds this organ, loves it’s sound. They love it so much they write the sons and/or use it on every song. The only reason I know this is because it’s exactly what do when I get a new toy. Don’t get me wrong, they don’t use it to the point of annoyance. It fits very well on every occasion they use it. It’s the catchiest part of the album in fact. It’s usually the part you hum to yourself when you’re all alone in silence. 

 Probably the most significant event to unfold with this album is the addition of Pete Thomas on drums to form The Attractions. Ever since Elvis and Pete have been working together since. Pete is the kind of drummer I love, wild. A lot of great syncopated rolls and a general abundance of toms in beats. It fits the energy and the attitude of the album so well.

 Which brings me to my favorite tidbit about ‘This Year’s Model’, it’s attitude. The best way I can put it into words is by comparing it to that feeling you get right before you really lose your temper with people and pull a Hulk and smash everything in sight. It’s that moment you seize up and make little noises from your clenched teeth and roll your fingers into fist. The bodies last defense against your bottled rage. The whole album can be sung with that nasty, punk rock lip curl. The lyrics and tone make you pose in the exact positions as Elvis on the cover. This album is sure to get your blood pumping. How can you not think of an old special someone that broke your heart with lines like, “I don’t wanna kiss you. I don’t wanna touch. I don’t wanna see you, ‘cause I don’t miss you that much.” and not get a little riled up?

 I do have one beef with this album though. It has nothing to do with the music really, but the British pressing leaves off my favorite song, ‘Radio, Radio’. On the American release they take off the song featured here, ‘(I Don’t Want to Go to) Chelsea’. I think it’s high time to re-release a definitive vinyl edition of this record. Other than that, this album shines as one of the best pieces of music in rock’n’roll. Each song has enough power and attitude to never fade.